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BublikArt Gallery > Blog > Art Exhibitions > Canvassing the Masterpiece: Beeple’s “Everydays: The First 5000 Days”
Art Exhibitions

Canvassing the Masterpiece: Beeple’s “Everydays: The First 5000 Days”

Irina Runkel
Last updated: 4 April 2024 02:38
Published 4 April 2024
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6 Min Read
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Contents
 Everything to know about BeepleThe Beeple art projectBeeple’s work under the microscope A dystopian cyberpunk universeA satire of political figuresA multitude of popular symbols

You’re bound to be hearing the name of this artist everywhere, who sold his NFT work “Everydays: the First 5000 Days” for $69.3 million…

By Cécile Martet | 22 Aug 2023

Beeple, Beeple… I’m sure you’ve heard the name of this artist everywhere, who sold his NFT work Everydays: the First 5,000 Days for $69.3 million! Today, Rise Art invites you to take a closer look at this mosaic of works and discover all its secrets!

 

Everything to know about Beeple

American digital artist Beeple, whose real name is Mike Winkelmann, was born on 20 June 1981. He grew up in Wisconsin and graduated from Purdue University in 2003, majoring in computer science.

Today, Winkelmann lives in Charleston, South Carolina, with his wife and two children and works as a web designer.

L’œuvre à la Loupe :
 Mike Winkelmann ©beeple-crap.com

Until last year, Beeple was a well-known figure in the digital world, but a complete stranger to the art market. Until 1 year ago, he had never sold any works of art.

L’œuvre à la Loupe :
Instagram Screenshot @beeple_crap
L’œuvre à la Loupe :
Twitter Screenshot @beeple

With over 2 million followers on Instagram, Mike Winkelmann is well known in the field of digital art thanks to his collaborations with prestigious brands such as Louis Vuitton and Nike.

 

The Beeple art project

More than bored with his job as a website developer, the crypto artist was inspired by the challenge posed by British artist Tom Judd. Judd created a sketchbook in which he drew a page every day for an entire year without interruption!

It was on the basis of this performative idea that Mike Winkelmann began his daily experiment on 1 May 2007!

L’œuvre à la Loupe :
Everydays: the First 5000 Days, by Beeple ©beeple-crap.com

His all-digital NFT Everydays: the First 5000 Days is a mosaic of his first 5,000 vector drawings and animations.

Initially priced at $100, the NFT was offered for sale at Christie’s auction house for 14 days in March 2021. However, in the last ten minutes of the auction, the price of the work soared to $69.3 million!

L’œuvre à la Loupe :

The sale of this NFT work was a major first for an auction house of this calibre. What’s more, it was also the very first time that Christie’s had allowed a work to be sold in cryptocurrency!

 

Beeple’s work under the microscope

This collection of digitised images is arranged chronologically, from his first attempts to his most recent and most accomplished works.

L’œuvre à la Loupe :
Everydays: the First 5000 Days, detail, Smile, Beeple, ©beeple-crap.com
L’œuvre à la Loupe :
Everydays: the First 5000 Days, detail, Artistic blobs, Beeple, ©beeple-crap.com
L’œuvre à la Loupe :
Everydays: the First 5000 Days, detail, Beeple, ©beeple-crap.com

In the top left-hand corner of the NFT work, you can see his very first vectorised drawings on paper. His first works are portraits or coloured abstract forms. Beeple was experimenting with his creative tools.

In the bottom right-hand corner of the composition, you can see his latest digital works created with Adobe Illustrator or CINEMA 4D software.

L’œuvre à la Loupe :
Everydays: the First 5000 Days, detail, Carefree Goat, Beeple, ©beeple-crap.com
L’œuvre à la Loupe :
Everydays: the First 5000 Days, detail, Natural Reboot, Beeple, ©beeple-crap.com
L’œuvre à la Loupe :
Everydays: the First 5000 Days, detail, Worst Case, Beeple, ©beeple-crap.com

 

A dystopian cyberpunk universe

At first glance, the scenes depicted take place in a science-fiction landscape, and more specifically in a cyberpunk universe.

L’œuvre à la Loupe :
Everydays: the First 5000 Days, detail, Privacy, Beeple, ©beeple-crap.com
L’œuvre à la Loupe :
Everydays: the First 5000 Days, detail, Already Dead, Beeple, ©beeple-crap.com
L’œuvre à la Loupe :
Everydays: the First 5000 Days, detail, Vibecity, Beeple, ©beeple-crap.com

In these landscapes we find fictional or real characters, robots or fantastic animals. These figures evolve in cities with robotic structures, devastated horizons or post-apocalyptic landscapes.  

 

A satire of political figures

Politics, particularly American politics, is one of Beeple’s favourite subjects. It features Donald Trump, Joe Biden, Hillary Clinton and foreign presidents such as Kim Jong-un, as well as influential figures such as Jeff Bezos and Elon Musk.

L’œuvre à la Loupe :
Everydays: the First 5000 Days, detail, Happy Birthday, Beeple, ©beeple-crap.com
L’œuvre à la Loupe :
Everydays: the First 5000 Days, detail, Shitshow, Beeple, ©beeple-crap.com
L’œuvre à la Loupe :
Everydays: the First 5000 Days, detail, Jong, Beeple, ©beeple-crap.com

These characters, the leitmotifs of Beeple’s digital work, are ridiculed, caricatured or placed in horrifying situations.

These illustrations highlight Beeple’s political commitment. They show how he feels about these political figures.

 

A multitude of popular symbols

Beeple is very attracted to popular culture symbols. In his work, the artist uses emojis, video game characters, cartoons and celebrities.

These characters are cruelly inserted into the artist’s dystopian worlds. He stages them in a frightening near future. He depicts them in bloodbaths, often decapitated, ugly, committing or suffering a crime.

L’œuvre à la Loupe :
Everydays: the First 5000 Days, detail, Take What You Want, Beeple, ©beeple-crap.com
L’œuvre à la Loupe :
Everydays: the First 5000 Days, detail, Pokemon R, Beeple, ©beeple-crap.com
L’œuvre à la Loupe :
Everydays: the First 5000 Days, detail, Mario 2020, Beeple, ©beeple-crap.com

These popular children’s symbols seem to point to the horrors of our society, both past and future. Could his trashy, bloody works be a reflection of his anxieties?

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