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Reading: Rachel Mentzer Transforms Discarded Cartons into Dusky Collagraphs — Colossal
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BublikArt Gallery > Blog > Artists > Rachel Mentzer Transforms Discarded Cartons into Dusky Collagraphs — Colossal
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Rachel Mentzer Transforms Discarded Cartons into Dusky Collagraphs — Colossal

Irina Runkel
Last updated: 27 April 2026 16:01
Published 27 April 2026
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One of the most common sights in cities is birds perched on power lines, although it rarely elicits a second look. Starlings chortle, pigeons coo, and the occasional hawk perches on a pole to scan the ground for its next meal. And yet, as normal as this seems, there’s nothing natural about it. Instead of trees, these feathered creatures rely on whatever infrastructure is around them, from wires and pylons to fences and rooftops.

For Ohio-based artist Rachel Mentzer, nature’s resilience is central to a practice focused on sustainability and environmental renewal. Her work “invites viewers to reflect on the interplay between human activity and the natural world, emphasizing the adaptability and fragility of nature,” says a statement.

“Flying Hawks”

Mentzer’s practice emphasizes collagraphy, an intaglio printmaking technique in which flattened materials—especially paper and card but also other items like leaves or acrylic surfaces—can be used to create a plate from which to make prints. She meticulously carves the delicate surfaces of found cartons with motifs of birds, trees, and energy infrastructure, then brushes them in polyurethane to preserve and prepare them for printing. Occasionally, she also employs chine collé, which uses delicate papers, to add colorful backgrounds.

The artist then coats the design with ink, wipes off the excess, and places the damp substrate into an etching press to transfer the image to a larger sheet of paper, producing the final piece. Thanks to the pressure of the transfer and the way the ink seeps into every handmade and incidental mark, the final print reveals a textural composition with crisp outlines. Birds and urban details alike are inextricable from the silhouette of a material that may have otherwise been destined for the landfill, summoning a constant reminder of the relationship between humans and nature.

Mentzer’s work was recently included in the Manhattan Graphics Center’s community print studio exhibition, and this summer, she’s looking forward to participating in the Suzanne Wilson Artist-in-Residence Program at Glen Arbor Arts Center in Michigan. See the artist’s process on her website, where you can also check if she will be at an art fair in your area throughout the spring and summer. See more on Instagram.

a collagraph print made in the outline of a small, flattened, cardboard carton with imagery of power lines and many birds in the air
“At the Flats”
a collagraph print made in the outline of a small, flattened, cardboard carton with imagery of an electrical pylon
“Pylon Birds”
a collagraph print made in the outline of a small, flattened, cardboard carton with imagery of a silhouetted, leafless tree with birds and a nest
“Golden Eagles”
a collagraph print made in the outline of a small, flattened, cardboard carton with imagery of a water tower and birds
“Still Standing”
a collagraph print made in the outline of three small, flattened, cardboard cartons with imagery of pelicans sitting on wooden posts
“Dockside Watch”
a collagraph print made in the outline of a small, flattened, cardboard carton with imagery of an electrical pylon and birds in the sky
“Skybound Over Steel”
a collagraph print made in the outline of a small, flattened, cardboard carton with imagery of a small songbird on a branch
“Magnolia Warbler”

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