Père Lachaise Cemetery in Paris is perhaps one of the world’s most famous burial grounds, home to luminaries like authors Oscar Wilde and Marcel Proust, musicians and composers like Frédéric Chopin, Édith Piaf, and even The Doors’ Jim Morrison, among many others. Its family tombs and sculptural headstones are iconic, and when artist Marina Kappos spent time wandering through Père Lachaise during a stay in the city last year, she was intrigued by the sculptures of grieving women she encountered. “They seemed to hold a power in their sadness, but also great beauty and remembrance as they stood guard over many of the tombs,” the artist says.
In Piercing the Veil at SHRINE, Kappos’ solo exhibition that opens this week, the artist delves into the nature of loss and memory. “Grief is a somber subject and multi-layered; it feels fitting for the time we’re living in, but I also saw hope and life bursting through,” she says. Few instances highlight the duality of life and death so well as the context of a cemetery, and that’s where the artist honed in on her interest in relationships between presence and absence, the terrestrial and the spiritual, and impermanence and decay.
Piercing the Veil features Kappos’ signature aura-like acrylic paintings on wood panels in which thin layers of pigment create a kind of gauzily psychedelic, prismatic effect. Consciousness is at the root of her works, reflected in the title of the show, which references the idea of awakening—of achieving some kind of enhanced comprehension or level of perception within one’s world. “These paintings depict that threshold,” Kappos says, “moving from one realm to another.”
Hazy landscapes unfold in the distance of some works, and keyhole shapes emerge almost Magic Eye-like in the center of several others. These focal portals unlock something, the artist says, “perhaps our own beliefs and the haze of the unknown, or they can act like doorways to another time or place.” And the figure of the widow, influenced by the gravestones, is present in elegant facial profiles and hands. Kappos likens her to someone who has not only been left behind but may be a spectre herself—one that “has power, magic, strength, and can potentially straddle two worlds.”
Piercing the Veil opens on May 15 and continues through June 27 in New York City. See more on Kappos’ Instagram.
