Ho Tzu Nyen on how AI leads to the cinematic past – The Art Newspaper
The future looks an awful lot like the…
The Frick: Annabelle Selldorf interview and our review, plus a Taiso Yoshitoshi woodblock print—podcast – The Art Newspaper
After a five-year closure, the Frick Collection in…
No longer eclipsed by their counterparts on the mainland, Hong Kong’s artists are finally on the rise – The Art Newspaper
Art from Hong Kong is among some of…
Comment | Scrapping DEI initiatives could damage US museums’ visitor numbers – The Art Newspaper
In January, US president Donald Trump issued an…
Luc Hoekx: Where Geometry, Transparency, and Depth Converge
Pictorial Space as a Constructed Environment Luc Hoekx’s…
Los Angeles wildfires put museum-lender relationships in spotlight – The Art Newspaper
The French Impressionist painter Gustave Caillebotte was a…
Must-see shows during Art Basel Hong Kong – The Art Newspaper
How to Be Happy Together, Para Site, 22/F,…
Patrice Lambeau: From Indie Rock to Digital Art Innovation
A Journey from Sound to Sight Patrice Lambeau’s…
Hong Kong Palace Museum show reflects a golden age of exchange between China and France – The Art Newspaper
Treasures from the Palace of Versailles, just outside…
‘I didn’t initially appreciate Barbara Hepworth, and I missed several chances’: Calvin Hui on the works that got away – The Art Newspaper
The dealer, adviser, curator and collector Calvin Hui,…
