Light and water have long been points of fascination for artists. In 1973, Anthony McCall unveiled Line Describing a Cone. The mesmerising piece, inspired by the ethereal shafts of light emitted by film projectors, invited viewers to witness the gradual formation of a cone. His current exhibition at Tate Modern takes this one step further, beaming light through a thin mist to create three-dimensional forms. Olafur Eliasson has also captivated audiences by using nature to evoke profound sensory experiences. In Beauty (1993), he used fine mist to suspend bands of coloured light in midair, producing a rainbow that altered and moved depending on where the viewer stands.
Now, Lachlan Turczan joins these iconic names in their investigations into light, water and sound. The American artist has spent the past decade developing a creative practice that explores how the natural world can alter human perception. His latest show, Making the Invisible Visible, was put together in partnership with Google designer Ivy Ross. Visitors enter into Turczan’s Lucida (I-IV), a series of spaces sculpted entirely out of light. Luminous veils ripple through mist, forming environments that blur the boundaries between what is tangible and intangible.
Making the Invisible Visible is part of Milan Design Week. This year the focus is on the theme of “connected worlds.” The exhibitions, events and projects featured are united in a singular vision: creating design that works in harmony with new technologies. Turczan’s collaboration with Google embodies this notion, blending artistic exploration and technical craftsmanship.
Making the Invisible Visible | Garage 21, Milan | 7-13 April
Image credits: Lachlan Turczan
