Blurring the distinction between abstraction and figuration, Expanded Eye’s recent works explore themes of the divine feminine and “the peaceful power of the Earthmother,” the duo says. Comprising Lisbon-based artists Jade Tomlinson and Kevin James, Expanded Eye is known for characteristically geometric, figurative tattoos and assemblages (previously) that incorporate wood and repurposed materials into bold compositions. Through large-scale installations and framed pieces, the artists explore the possibilities of texture, pattern, and color.
Tomlinson and James have put their tattoo practice on hold to focus on sculptural reliefs. Ceramic, in particular, has become a central tenet of their practice, inspired by the rich tile tradition of Portugal, known as azulejo—an exemplification of cross-cultural exchange. The artists are interested in “using this grounding, ancient material from the earth to depict serene guardians in earth tone colors, to evoke stillness and calm in this fast-paced world.”
Past and present converge in Expanded Eye’s compositions, channeling an interest in timelessness and the continuum of clay, carving, and building methods. The graphic elements and fragmented features also call to early 20th-century art historical Modernism, especially the Cubist movement. It’s this “fusion of traditional materials with a unique modern approach that excites us—connecting the past to the present,” the artists tell Colossal.
Expanded Eye is currently working on their largest tile commission to date and plans to further merge ceramics with other facets of their practice. Explore more on the artists’ website and Instagram.
