Beneath ominous skies and set within flat, green parkland, Lee Madgwick’s folly-like buildings strike an unsettling note. His surreal paintings feature dilapidated facades and uncanny shrubbery against cloudy, deep gray skies—usually with something just a little strange going on.
In “Drift,” for example, bricks dislodge from the top of a boxy structure and float into the sky one by one, and “Fracture” defies gravity altogether with a hovering apartment tower that crumbles from below. Madgwick’s rural scenes nod to landscapes and developments that are often overlooked, imbuing them with what he describes as “an undercurrent of mischievous menace.”
Madgwick’s paintings aren’t without hints of dark humor, like in “Echoes,” in which half a building appears to be missing, as if washed away in a now-calm stream. Inside the ragged remains, a waterslide makes use of the height.
People are nowhere to be seen in Madgwick’s compositions, although their presence is felt in the graffiti left on walls or curtains drawn in various windows. His latest body of work continues “to portray that mysterious and melancholic otherworldliness of seemingly long abandoned and isolated buildings under heavy skies,” he tells Colossal.
The artist’s work will be on view at Brian Sinfield Gallery in Burford, Oxfordshire, from October 18 to November 4. Find more on Madgwick’s website and Instagram.
