Silhouettes and Surreal Drawings Echo Strife and Self-Preservation In Valerie Hammond’s ‘Dreamers Awake’ — Colossal



Art

#drawing
#flowers
#ink
#nature
#sculpture
#Valerie Hammond
#watercolor

According to Greek mythology, Daphne was the descendant of river gods. Born with a surging hunger for freedom and autonomy, the nymph committed herself to living a life rooted in solitude as she poured herself into deep passions like nature and hunting. Although Daphne devoted a great deal of time to exploring her tranquil surroundings, she eventually found herself in the chaotic throes of unrequited love as Apollo desperately sought to seize her for himself. One day, during a relentless pursuit in which Daphne was being chased by the Greek god, her only escape was to call to her father for help, who subsequently transformed her into a laurel tree. Narratives similar to this, symbolizing the adversity of self-preservation against burdening pressures set forth by powerful men, play a critical role in Valerie Hammond’s current solo exhibition titled Dreamers Awake.

While Hammond’s newest works imbue familiar themes of nature, spirituality, and strife, they also evolve from the artist’s ongoing interest in surrealism’s ability to address patriarchal narratives. “I found creative potential in its exploration of the unconscious and the uncanny, and I admired its attempts to liberate social conventions from conformist structures,” Hammond explains in the exhibition text. “I was especially intrigued by women’s involvement in surrealism, and their unique images of sexuality, vulnerability, violence, and rage.”

A feminine figure with billowing texture emerges from an amalgamation of wasp nests, wood, and paper in “Daphne 2,” alluding to the mythological tale while emphasizing the inextricable parallels between feminine plight and the metamorphic characteristics of nature. “Laurel” quite literally depicts the cost of self-advocacy, portraying Daphne’s fate as sprawling tree branches ascend from a pair of feet. Hammond’s ink pieces further draw upon the dissolution of feminine bodies, as inked silhouettes fade into landscapes behind them.

Dreamers Awake is on view at Pamela Salisbury Gallery in Hudson, New York until August 25. Keep an eye on Hammond’s Instagram for more updates and work.

Installation view of ‘Dreamers Awake’

“Daphne 2” (2024), paper, wasp nest, and wood, 68 x 12.50 x 11 inches

“Laurel” (2023), hornets nest, paper and wood, 65 x 30 x 24 inches

“Cat” (2024), ink and watercolor on handmade indigo paper, 18.5 x 25.5 inches

“Fox” (2024), ink and watercolor on handmade indigo paper, 2024, 18.5 x 25.5 inches

“Venus” (2024), paper, wasp nest, and wood, 68 x 12.50 x 11 inches

Untitled, (2024), ink on Japanese paper, 72 x 39 inches

“Owlmoth III” (2024), ink and watercolor on handmade indigo dyed gampi paper, 18.5 x 25.5 inches

Untitled, (2024), ink and watercolor on Japanese indigo paper, 76 x 40 inches

Untitled, (2024), ink on Japanese paper, 72 x 39 inches

#drawing
#flowers
#ink
#nature
#sculpture
#Valerie Hammond
#watercolor

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