The Zurich-born jewellery designer Suzanne Syz lived in New York in the 1980s, where her dealer friend Bruno Bischofberger introduced her to artists like Andy Warhol, Jean-Michel Basquiat and Julian Schnabel. While these artists would later inspire Syz’s own designs—she sold her first necklace to the actress Elizabeth Taylor in the mid-2000s—at the time, Syz had a unique opportunity to acquire some of their works before the paint was even dry. Warhol even made a portrait of Syz and her young son, Marc, in 1982.
Syz has collected thousands of pieces over the years by many other artists as well, including Roe Ethridge, Peter Fischli & David Weiss, Carsten Höller, Cindy Sherman, Wolfgang Tillmans and Rosemarie Trockel.
The Art Newspaper: What was the first work you ever bought?
Suzanne Syz: When I could afford something, I bought a photograph by Guy Bourdin. I actually knew him; he was a true original. His compositions were surreal, provocative and entirely his own. I was fascinated by the energy, the colours, the irreverence. It was the beginning of everything.
A photo by Guy Bourdin from a series he did for a 1980 calendar for Pentax © the artist
What was the last work you bought?
My last purchase was an embroidery work by Nathalie Du Pasquier from Giorgio Mastinu’s gallery in Venice. It was love at first sight. I like how her work blends graphic design with craft in this series.
How quickly do you decide to buy a work of art?
Very quickly. If I love it, I go with my instinct. I’ve been in the art world long enough to trust my eye, and I don’t like to miss out.
What do you regret not buying when you had the chance?
Andy Warhol’s Car Crash (1963) works when I was in New York. They are quite disturbing, but I really loved them at the time.
If you could have any work from any museum, what would it be?
Alberto Giacometti’s Le Chien (1951) from Fondation Maeght in Provence.
Where do you like to eat and drink while you’re in Basel?
I love Les Trois Rois; it’s a classic. For something more relaxed, I’ll go to Volkshaus. And of course, a glass of champagne at Kunsthalle Basel is a must during the fair.
Syz’s most recent acquisition, an embroidery by Nathalie du Pasquier © the artist
Do you have any parties lined up?
I usually prefer intimate dinners with gallerist friends. I like to keep my energy up for the fair itself. There’s always so much to see and do! But I know where to find the fun when it’s happening.
What’s your least favourite thing about art fairs?
The sensory overload. After a few hours, it’s hard to see anymore. You need a strong eye and even stronger shoes. A fair should never feel like a marathon.
Where do you go in Basel to get away from it all?
I sneak off to Fondation Beyeler early, if possible. The building, the collection, the calm—it’s the perfect reset.
What tip would you give to someone visiting Basel for the first time?
Pace yourself. Don’t try to do it all. The best discoveries happen when
you slow down. Let the art come to you. And don’t forget: flats first, fashion second.
