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BublikArt Gallery > Blog > Artists > Hangama Amiri Stitches Memories of Migration into Vivid Textile Portraits — Colossal
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Hangama Amiri Stitches Memories of Migration into Vivid Textile Portraits — Colossal

Irina Runkel
Last updated: 16 September 2025 20:02
Published 16 September 2025
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Hangama Amiri translates fragments of her teenage years and family history into quilted portraits and tender tableaus. The artist, who resides in upstate New York and maintains a studio in Red Hook, is interested in recollection and the stories that make us who we are. “There’s an innocence and a special quality in revisiting and reminiscing those memories, especially that my family and I spent those years in migration across Central Asia,” she adds.

At just 7 years old, Amiri left her native Kabul and traveled to various countries before settling in Canada as a teenager. This itinerant experience continues to inform the artist’s work, particularly as she seeks to build a larger narrative about “women’s importance socially, politically, economically, and culturally.”

Detail of “Portrait of Kern Samuel at Yale Art Gallery” (2024), muslin, cotton, chiffon, silk, linen, and velvet, 52 x 34.5 inches

Amiri begins with a drawing that she slices into shapes and traces onto velvet, silk, polyester, and other textiles sourced from Afghan-owned shops, online sources, and the occasional gift from friends and colleagues. Once cut out, these individual pieces layer onto a muslin backdrop, creating vivid portraits and domestic scenes with visible seams. Doing so “adds another layer of mark-making and texture,” she shares, noting that she utilizes a machine for this final step.

Often focusing on the decorative elements of a space or a figure’s sartorial choices, Amiri captures a particular moment in time, highlighting a sense of familiarity and intimacy with her fleeting subject matter. Several works portray a meal shared among friends, while “Man with Vase of Tulips” depicts the titular character cradling a bouquet, a small photograph peeking through the cluster of vibrant flowers.

Although we don’t know the location—perhaps he’s sitting in Afghanistan, Canada, or elsewhere—the piece exudes a sense of longing, exemplifying the artist’s enduring interest in preserving and resurfacing moments otherwise bound to the past.

In addition to her quilts, Amiri has a neon sculpture on view at the John Michael Kohler Arts Center in Sheboygan, Wisconsin. She’s working toward several upcoming exhibitions this fall, including at the National Gallery of Canada, Konsthall C in Stockholm, and Paris International Art Fair. Follow along on her website and Instagram.

a quilt by Hangama Amiri depicting a Black man in front of a classic statue
“Portrait of Kern Samuel at Yale Art Gallery” (2024), muslin, cotton, chiffon, silk, linen, and velvet, 52 x 34.5 inches
a detail image of a quilt by Hangama Amiri depicting a lush table setting
Detail of “Dastarkhwān” (2025), muslin, cotton, chiffon, canvas, denim, linen, silk, polyester, suede, inkjet-print on silk-chiffon, block-print, color-pencil, and acrylic paint on fabric, 77.5 x 54 inches
a quilt by Hangama Amiri depicting a lush table setting
“Dastarkhwān” (2025), muslin, cotton, chiffon, canvas, denim, linen, silk, polyester, suede, inkjet-print on silk-chiffon, block-print, color-pencil, and acrylic paint on fabric, 77.5 x 54 inches
a quilt by Hangama Amiri depicting a woman eating takeout with chopsticks
“Still-Life with Sushi and Red Wine” (2025), muslin, cotton, chiffon, linen, silk, polyester, suede, block-print, color-pencil, and acrylic paint on fabric, 47 x 64 inches
a neon work by Hangama Amiri showing hands and yellow droplets
“Nakhoonak-e Aroos/ Bride’s Nail” (2022), neon and glass. Image courtesy of John Michael Kohler Arts Center
a quilt by Hangama Amiri of a Black man standing in front of a red portrait of a woman
“Dominic Chambers with His Portrait Painting of Trevon Latin” (2024), muslin, cotton, chiffon, linen, velvet, denim, and silk, 52 x 42 inches
a quilt by Hangama Amiri of a gray car with boxes stacked on top
“Departure” (2022), muslin, cotton, polyester, clear vinyl, faux leather, chiffon, and found fabric, 68.5 x 85 inches

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