By using this site, you agree to the Privacy Policy and Terms of Use.
Accept
BublikArt GalleryBublikArt Gallery
  • Current
  • Art News
  • Art Exhibitions
  • Artists
  • Art Collectors
  • Art Events
  • About
  • Collaboration
Search
  • Advertise
© 2022 Foxiz News Network. Ruby Design Company. All Rights Reserved.
Reading: Drawing on Queer History, Moises Salazar Glamorizes Faceless Figures in Glitter — Colossal
Share
Notification Show More
Font ResizerAa
BublikArt GalleryBublikArt Gallery
Font ResizerAa
Search
  • Current
  • Art News
  • Art Exhibitions
  • Artists
  • Art Collectors
  • Art Events
  • About
  • Collaboration
  • Advertise
2024 © BublikArt Gallery. All Rights Reserved.
BublikArt Gallery > Blog > Artists > Drawing on Queer History, Moises Salazar Glamorizes Faceless Figures in Glitter — Colossal
Artists

Drawing on Queer History, Moises Salazar Glamorizes Faceless Figures in Glitter — Colossal

Irina Runkel
Last updated: 7 June 2024 22:22
Published 7 June 2024
Share
4 Min Read
SHARE


Contents
Art Social Issues#activism #identity #Moises Salazar #portraits #textiles#activism #identity #Moises Salazar #portraits #textiles



Art
Social Issues

#activism
#identity
#Moises Salazar
#portraits
#textiles

“El Gran Varon” (2022), glitter and acrylic on canvas, yarn, 46 x 36 x 2.5 inches

Glitter has a deep connection to queer culture and identity. Appearing in drag performances in the early 20th century, the sparkling material quickly became associated with gender-bending, and today, it’s frequently used in protest and activist circles advocating for LGBTQ+ rights.

Moises Salazar references this history and their Mexican heritage through mixed-media portraits. Rendering faceless figures in glitter—a choice that allows each subject to be a surrogate for queer Latinx people—Salazar depicts scenes of joy, confidence, and defiance as they present figures who are tender but resolute. The portraits often have an autobiographical bent, emerging from the artist’s connection to Chicago’s queer community and originating with depictions of their own body.

Drawing on craft traditions, the lush combination of faux fur, sequins, and acrylic paint nested inside crocheted yarn frames feeds into the ostentatious nature of these works, dovetailing with Salazar’s insistence that the subjects are revered and celebrated. In an interview with The Latinx Project, they say of their material choices:

I love feeling glamorous, and I think that’s something universal. Regardless of gender, age, and sexual expression, we all love feeling our best, and that’s what I’m trying to express in my work. As children, I think we’re taught to not stand out or cause attention to ourselves, but I think we should do the opposite. That’s why I put so much emphasis on creating a tactile experience. I want my work to stand out, and I pull out all the stunts to do it. I’m a person that if I’m asked, “Don’t you think that’s too much?,” I add twenty new things.

Salazar’s portraits are on view for In My Arms through July 27 at Epiphany Center for the Arts in Chicago. Find more of their work on Instagram.

 

Drawing on Queer History, Moises Salazar Glamorizes Faceless Figures in Glitter — Colossal

“Trans World #2” (2022), glitter on canvas, yarn, sequin, 62 x 35 x 2.5 inches

a nude, faceless figure wearing black heels sits on blue textiles with a purple crocheted frame

“All Alone” (2022), glitter on canvas, yarn, sequin, 49 x 29 x 2.5 inches

a faceless figure sits on a leopard print blanket wearing shorts. they are rendered in glitter with plush pink fur at the top of the work

“En Esta Noche” (2022), glitter and oil on panel, sequin, yarn, 42 x 25 x 2.5 inches

two faceless figure wearing a red and blue dress pose on a rock and grass. they're rendered in glitter with gold halos around their heads. a blue crocheted frame surrounds the work

“Yo Soy Una Mujer” (2022), glitter on canvas, yarn, sequin, 62 x 35 x 2.5 inches

a family portrait of faceless figures rendered in glitter. a blue crocheted frame surrounds them

“Social,” glitter, acrylic, fabric on canvas, yarn

#activism
#identity
#Moises Salazar
#portraits
#textiles

 

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. You’ll connect with a community of like-minded readers who are passionate about contemporary art, read articles and newsletters ad-free, sustain our interview series, get discounts and early access to our limited-edition print releases, and much more. Join now!



You Might Also Like

Tshepiso Moropa Splices Setswana Folklore and Dreams into Archival Collages — Colossal

Dive into Wool Creature Lab’s World of Vibrant Felted Nudibranchs — Colossal

Ruby Silvious’ Tiny Paintings and Assemblages Reimagine Used Teabags — Colossal

Biljana Petreska: When Presence Leaves a Visible Trace

Analog Books with Synchronized Soundtracks — Colossal

Share This Article
Facebook Twitter Email Print
Previous Article Mastermind Behind 1,500 Fake Norval Morrisseau Artworks Pleads Guilty Mastermind Behind 1,500 Fake Norval Morrisseau Artworks Pleads Guilty
Next Article Christie’s Hit With Class-Action Lawsuit Over Client Data After Cyberattack Christie’s Hit With Class-Action Lawsuit Over Client Data After Cyberattack
Leave a comment Leave a comment

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

BublikArt GalleryBublikArt Gallery
2024 © BublikArt Gallery. All Rights Reserved.
  • Privacy Policy
  • Security
  • About
  • Collaboration
  • Contact
Welcome Back!

Sign in to your account

Lost your password?