Canvassing the Masterpieces: The Raft of the Medusa by Géricault
A masterpiece of the 19th century, Géricault's "Raft…
Sotheby’s new fee structure is a highwire act of risk and reward
Sotheby’s and Christie’s shocked the art trade back…
Sylvia Baldeva: Passionate Visual Poetry in Motion
An emotional creator, Sylvia Baldeva’s sensitivity and self-awareness…
Pilar Corrias now represents British painter Ella Walker.
British painter Ella Walker is now represented by…
Aesthetica Magazine – Sustainable Practice:Klima Biennale Wien
In response to the urgency of the climate…
Kim Conaty, curator of prints and drawings at the Whitney Museum, promoted to chief curator
The Whitney Museum of American Art appointed a…
Can Dallas support two art fairs? For most people, the answer is yes.
This Thursday, the Dallas Art Fair (DAF), which was launched…
Along Academic Lines at Edinburgh’s RSA
Edinburgh's RSA is showing a collection exploring the…
Alice Gray Stites On Taking Risks, Respecting the Public, and Curating for 21c Museum Hotels — Colossal
Art Colossal #Alice Gray Stites April 3,…
Chicago Gallerist Easy Otabor Is Setting His Sights on Tokyo
Art MarketMaxwell RabbPortrait of Isimime “Easy” Otabor. Courtesy…
