“In Minor Keys” Is a Statement on Perseverance and Play
“In Minor Keys” is the only biennial in…
The US pavilion’s curator on the controversial choice of Alma Allen for the Venice Biennale – The Art Newspaper
The selection of the artist for the Giardini’s…
The Bahamian Pavilion Brings Junkanoo to Venice in a Biennale Standout
After a thirteen-year hiatus, the Bahamian Pavilion has…
Lee Ufan: ‘I try to bring together those things which are made and unmade’ – The Art Newspaper
Painter, sculptor, writer and philosopher Lee Ufan came…
Arthur Jafa: ‘America has always been a demonic state. And we love it’ – The Art Newspaper
Whatever anyone makes of the American pavilion in…
Cultural workers at Venice Biennale to strike over Israel’s participation – The Art Newspaper
Cultural workers and participants at the Venice Biennale…
‘I wanted to catch the desperation’: Dries Verhoeven on turning the Dutch pavilion into a bunker for the Venice Biennale – The Art Newspaper
Opened in 1953 and designed by the iconic…
Two truths? US 250th anniversary programmes take differing approaches – The Art Newspaper
One group is organising field trips to historic…
Today’s war, tomorrow’s loot: attempts at stemming the illicit trade in art – The Art Newspaper
The scourge of war always outlasts the fighting.…
Brandywine Conservancy and Museum picks architects for $100m expansion project – The Art Newspaper
The Brandywine Conservancy & Museum of Art in…
