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Irina Runkel
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Articles
The legacy and mystery of the display of Native American art at the 1932 Venice Biennale
Irina Runkel
19 April 2024
Sylvain Amic Named President of Musée d’Orsay and Musée de L’Orangerie
Irina Runkel
19 April 2024
At the Venice Biennale, “Foreigners Everywhere” Carves Out Space for Queer and Indigenous Artists
Irina Runkel
19 April 2024
Man Faces 14 Months in Prison for Selling 145 Fake Peter Max Paintings
Irina Runkel
19 April 2024
The Himalayas come to Manhattan for Rubin Museum ’s final show in its New York space
Irina Runkel
19 April 2024
Tali Weinberg Entwines Human and Ecological Health with Climate Data Sculptures — Colossal
Irina Runkel
19 April 2024
Why South Korean Collector JaeMyung Noh Set Up His Own Art Fair
Irina Runkel
19 April 2024
Aesthetica Magazine – Falling Figures
Irina Runkel
19 April 2024
In Venice, Jeffrey Gibson Envelops the U.S. Pavilion in Kaleidoscopic Color and Flawed Promises — Colossal
Irina Runkel
19 April 2024
The fate of a Van Gogh flower painting destined for Japan’s ‘Sheer Pleasure’ pavilion
Irina Runkel
19 April 2024
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