Metallic shades have always been associated with opulence and wealth, from golden statues in the ancient world to gilded Renaissance portraits. This reputation continued as metallic paints entered the scene. They rose to popularity commercially across Europe in the 1700s, when bronze powders began to be used in German to dust surfaces, giving interiors a regal shimmer. Later, at the dawn of the 20th century, they became more commercially available, with companies like Thomas Parson & Sons including metallic ranges in their range of paint colours. These hues are the hallmark of London-based artist Marigpa’s work, who follows in this rich artistic tradition. Their canvases, primarily oil and mixed media, conjure up feelings of luxury, warmth and spiritual enlightenment. Yet, this sense of opulence does not come at the expense of understanding reality. Marigpa is inspired by their travels, translating cultures around the world into artwork. They seek to engage in global dialogues, involving viewers with new ideas and immersing them in a shimmering and tranquil environment. Aesthetica spoke to the artist about their process, how they integrate their life experiences into painting and their debut solo show in Hong Kong this April.
A: Can you walk us through your creative process? How do you approach a new project?
M: It’s a bit of a “chicken and egg” situation – my art comes from my heart and feelings. My gallery and curator then work with me to develop an exhibition theme based on the pieces I’ve created. I love this approach because it allows my authentic self to shine through. I don’t feel confined by a pre-set theme, so I can create freely and without limitations. My freedom of expression comes through in both bold strokes and intricate textures.
A: Metallic hues like gold, silver and copper form the basis of your art. Could you tell us about the significance of these colours and why you first chose to work with them?
M: I’m fascinated by metallic colours. They seem to shimmer and shift with the light, giving the artwork a sense of life. It might sound strange, but I sometimes have to wear sunglasses while painting in natural light because of the way these metallic pigments reflect. It feels like a dialogue between me and the colours; I respond to them, and they seem to respond back.
A: Your art is deeply informed by your travels. How do your adventures influence your creative practice? Are there specific places and cultures that have made a particular mark?
M: Connecting with people from different cultures is something I deeply value. I love learning about their traditions and hearing their stories. It’s truly fascinating. I can’t pinpoint exactly how these experiences influence my work, but they become a part of me, woven into my memories. Every place and culture has its unique beauty, making it impossible to choose a favourite. Perhaps Bhutan? It’s often called the “happiest country in the world”. Years ago, I travelled to Bhutan on my own. Landing in Paro was a truly awakening experience, thanks to its breathtaking beauty and pureness. The fact that all tourists require a driver and guide gave me unexpected opportunities for meaningful conversations. I was inspired by the Bhutanese people’s contentment with their lives and their deep faith. I was so touched by their deep love and respect for their country, King and Queen. And of course, I love London. Riding the tube, you might share a carriage with people from twenty different nations! It’s such a vibrant and inclusive city. Ultimately, we’re all human, and we need to respect each other as such. That’s why I connect so well with the gallery that represents me – Oneness!
A: The work has been described as a combination of “opulence” and “tranquillity.” How do you navigate these seemingly contrasting ideas?
M: In my view, opulence and tranquillity are not opposites. I believe tranquillity is opulence. It’s the ultimate luxury. True opulence lies in experiencing tranquillity. Even with immense wealth, on cannot truly experience opulence without inner peace. Tranquillity brings a sense of having more than enough, allowing you to embrace what you have – and that’s opulence.
A: There is a desire to “engage in a global dialogue” running through your art. Could you tell us more about that? How do you approach this aim?
M: We are all interconnected as global citizens. Looking back 5,000 years, before planes, the internet and AI, ancient artefacts still share many commonalities. Today, humanity faces shared challenges, such as climate change and evolving value systems. I believe in the butterfly effect – every positive thought and action can have a ripple effect on the world around us. From a higher perspective, we are all one.
A: Who, or what, have been your biggest creative inspirations?
M: I find great inspiration in galaxies and nature. Like metallic colours, they feel so alive, and I love their diversity. They constantly remind me to be the change and to be present.
A: Your debut solo exhibition will be held at the Hong Kong Arts Centre in April. How do you feel about this moment in your career?
M: I’m incredibly blessed and grateful for the opportunity to have a solo exhibition in such a sophisticated and international city. Gratitude is the only word I can express right now. I hope that visitors will come with an open heart.
A: What are you excited to explore in the future? What can we look forward to?
M: I’m currently experimenting with new media, and I hope to include some of these pieces in my next exhibition, which is scheduled for early next year in Edinburgh. I’m so excited!
Golden Journey is at Hong Kong Arts Centre from 8 – 14 April 2025: theonesnessgallery.com
@theonenessgallery
Image Credits:
All images courtesy of the artist and The Oneness Gallery
