By using this site, you agree to the Privacy Policy and Terms of Use.
Accept
BublikArt GalleryBublikArt Gallery
  • Current
  • Art News
  • Art Exhibitions
  • Artists
  • Art Collectors
  • Art Events
  • About
  • Collaboration
Search
  • Advertise
© 2022 Foxiz News Network. Ruby Design Company. All Rights Reserved.
Reading: One Painting Loses Attribution to Caspar David Friedrich
Share
Notification Show More
Font ResizerAa
BublikArt GalleryBublikArt Gallery
Font ResizerAa
Search
  • Current
  • Art News
  • Art Exhibitions
  • Artists
  • Art Collectors
  • Art Events
  • About
  • Collaboration
  • Advertise
2024 © BublikArt Gallery. All Rights Reserved.
BublikArt Gallery > Blog > Art Collectors > One Painting Loses Attribution to Caspar David Friedrich
Art Collectors

One Painting Loses Attribution to Caspar David Friedrich

Irina Runkel
Last updated: 26 August 2024 21:44
Published 26 August 2024
Share
2 Min Read
SHARE


After further analysis, one work previously believed to be painted by Caspar David Friedrich has lost its attribution.

Caspar David Friedrich was a German Romantic landscape painter, considered among the most important of his generation. He is best known for his allegorical landscapes, such as Wanderer Above the Sea (1818), which typically feature contemplative figures silhouetted against an earthy backdrop.

In advance of an anniversary exhibition commemorating Friedrich’s 250th birthday, scientists at the Dresden State Art Collections in Germany analyzed paintings attributed to the artist within the museum’s holdings. One early painting, in particular, was in question.

Related Articles

The oil painting Landscape with Bare Tree (1789/1799) was “written off” and shown in the exhibition “Caspar David Friedrich: Where it all began” with an “unknown” attribution, alongside of 13 other Friedrich paintings in the Dresden’s collection.

Infrared and pigment analysis revealed an underpainting that “has nothing to do with Friedrich ‘s drawing style,” curator Holger Birkholz told Monopol. Additionally, the pigments included yellow and blue hues that were not commonly used until 1810.

The painting was removed from the Friedrich collection because “stylistically it doesn’t fit,” Birkholz explained. An unnamed expert on the Romantic master agreed based on the research.

Friedrich’s early work has long been difficult to assess. Early sources say that Friedrich started painting in 1807, yet there are a number of oil paintings attributed to him from that period.

“The reasoning was always that it doesn’t look like a Friedrich and that’s why it’s an early work”, said Birkholz. “I always thought that was thin ice.”

You Might Also Like

Salvador Dalí’s Largest Painting Heads to Auction

Site of Failed Jersey City Pompidou Tapped for Affordable Housing

Watermill Center Names Charles Chemin as Artistic Director

Tehran’s Golestan Palace Damaged in US-Israel Bombing

An Analysis of the Mid-Season Sales at Christie’s, Sotheby’s, Phillips

Share This Article
Facebook Twitter Email Print
Previous Article 11 Artists Having a Breakout Moment in Fall 2024 11 Artists Having a Breakout Moment in Fall 2024
Next Article A New Book Branches Out Across 3,500 Years to Explore Our Enchantment with Trees — Colossal A New Book Branches Out Across 3,500 Years to Explore Our Enchantment with Trees — Colossal
Leave a comment Leave a comment

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

BublikArt GalleryBublikArt Gallery
2024 © BublikArt Gallery. All Rights Reserved.
  • Privacy Policy
  • Security
  • About
  • Collaboration
  • Contact
Welcome Back!

Sign in to your account

Lost your password?