Joy Machine and Vertical Gallery are excited to share their first collaborative exhibition, Wanderland by Collin van der Sluijs. This marks the artist’s sixth solo exhibition in Chicago and more than a decade in partnership with Vertical Gallery. It’s his first presentation at Joy Machine.
Wanderland comprises a new body of work developed during a two-year period. Spanning enormous mixed-media paintings, intimate drawings, and skate decks bearing the artist’s signature birds, the exhibition reflects both the momentous and mundane, particularly loss, grief, and the therapeutic powers of nature.
A portmanteau of wander and wonderland, the title evokes van der Sluijs’ continued devotion to imagining a vast, dreamlike ecosystem. For the past decade, he’s produced various bodies of work as a sort of world-building exercise, intuitively selecting a blend of oil paint, acrylic, watercolor, and more to render dynamic still lifes and portraits of figures subsumed by chaos. Wanderland continues in this vein, once again presenting hazy bouquets that allude to the artist’s Dutch heritage and a melange of symbols and markings referencing his background in street art. “Collin works in such a wide range of styles—like a modern twist on classical painting, with graffiti and illustration mixed in,” Patrick Hull, Vertical’s owner and curator, shares.
Each collection emerges through a lengthy process of trial and error, and often, van der Sluijs will work on a piece for years, even turning it around to face the wall periodically to provide a brief respite while in his studio. “I really need to make big mistakes and fight my way out of it,” he adds. In this way, cultivating wonder and an unceasing desire to explore his inner emotional and external landscapes is an essential part of the process. Wanderland is about “a walk to the visual world that you create around yourself, like wandering around. But it’s also like diving into the unknown.”
Following a collection of darker pieces made in the early years of the pandemic, Wanderland emerges with more levity and hope, albeit not without difficulty and grief. While working toward the exhibition, the artist broke his ankle, rendering it impossible for him to stand while painting larger canvases hanging on the wall. Instead, he had to sit, stretching himself across the horizontal surfaces and contending with a novel, challenging mode of making.
And despite his physical limitations, van der Sluijs also spent more time venturing outdoors during the last two years. Making small works on paper amid natural settings was a sort of balm in processing the recent death of a friend. “All those personal stories, they make the context of a show,” he adds.
To celebrate more than a decade of collaborations, Vertical Gallery published a book commemorating the occasions, titled Wanderland: 1991-2026. Its pages juxtapose the artist’s exploits as a painter, muralist, and graffiti writer with the more personal moments that define his roles as husband, son, father, and friend.
Wanderland runs from July 10 to August 22. An opening reception will be held from 6 to 8 p.m. on July 10. The artist will be present.
