By using this site, you agree to the Privacy Policy and Terms of Use.
Accept
BublikArt GalleryBublikArt Gallery
  • Current
  • Art News
  • Art Exhibitions
  • Artists
  • Art Collectors
  • Art Events
  • About
  • Collaboration
Search
  • Advertise
© 2022 Foxiz News Network. Ruby Design Company. All Rights Reserved.
Reading: Phantasmic Figures Grapple with Their Doubles in Xie Lei’s Dreamy Oil Paintings — Colossal
Share
Notification Show More
Font ResizerAa
BublikArt GalleryBublikArt Gallery
Font ResizerAa
Search
  • Current
  • Art News
  • Art Exhibitions
  • Artists
  • Art Collectors
  • Art Events
  • About
  • Collaboration
  • Advertise
2024 © BublikArt Gallery. All Rights Reserved.
BublikArt Gallery > Blog > Artists > Phantasmic Figures Grapple with Their Doubles in Xie Lei’s Dreamy Oil Paintings — Colossal
Artists

Phantasmic Figures Grapple with Their Doubles in Xie Lei’s Dreamy Oil Paintings — Colossal

Irina Runkel
Last updated: 8 June 2026 19:05
Published 8 June 2026
Share
4 Min Read
SHARE


Double can mean many things. It may imply a duplicate, symmetry, a reflection, a twin, a splitting, or even a shadow self. There is an inherent duality that forms around two parts, which may or may not be in concert with one another. Austrian psychoanalyst Otto Rank was the first to describe the concept in an essay published in 1914, and Sigmund Freud ran with the idea in his 1919 book The Uncanny.

For Freud, the phenomenon illustrated how the unconscious is actually a kind of second consciousness. Scottish psychoanalyst R.D. Laing drew on this foundation in his study of schizophrenia in the book The Divided Self, which delves into the nature of “real” and “false” selves. And in a literary sense, the concept has generated enduring works of fiction, such as Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde or Stephen King’s The Dark Half.

“Observance” (2026), oil on canvas, 19 11/16 x 15 3/4 x 1 9/16 inches. Photo by A. Mole

For Paris-based artist Xie Lei, the double inspires a new body of work in a titular solo exhibition at Musée Denys-Puech in Rodez, France. Through feather-light brushstrokes, deep shadows, and glowing hues, the artist renders spectral figures in oil paint. “What I’m trying to achieve is to transport the viewer into another world and give them the impression of diving into and participating in the painting,” Xie says.

Some canvases like “Resistance” appear to be underwater, yet also feel elemental and weightless, as if the scenes are unfolding in an alternate realm. “Double I” portrays blurry figures that could be engulfed in flames or perhaps a glowing wheat field, embracing but also possibly combating one another. Disembodied hands often reach out to grasp faces or limbs, such as in “Observance” and “Disappear II.”

Throughout Xie’s work, there is a sense of transformation, even transfiguration, as twins or reflections hover between dreams and reality. “The silent are neither entirely present nor truly absent; they are on the threshold and remain in an in-between state,” says a statement. “Contact is never a firm grip, but rather a suspended touch that preserves a slight distance.”

Double marks Xie’s receipt of the prestigious Marcel Duchamp Prize in 2025, which is awarded annually to an artist working in France, and the show runs from June 12 to October 25. He also has forthcoming solo exhibitions later this year at François Ghebaly in Los Angeles and the Song Art Museum in Beijing. See more on Instagram.

a brushy oil painting with a blue tone of a spectral back of someone's head with a hand reaching up to it
“Disappear II” (2026), oil on paper, 16 9/16 x 11 13/16 inches. Photo by Pauline Assathiany
a brushy oil painting with an orange tone of two embracing figures in a fiery setting
“Double I” (2026), oil on canvas, 80 11/16 x 106 5/16 inches. Photo by Pauline Assathiany
a brushy oil painting with a blue tone of two figures leaning in close to one another
“Fábula” (2025), lithograph, edition of 40 by Idem, Paris, 11 x 15 3/8 inches. Photo by Pauline Assathiany
a brushy oil painting with a blue tone of two spectral figures, one laying down and one appearing to rise out of the other
“Corrosion” (2025), oil on canvas, 80 11/16 x 63 inches. Photo by A. Mole
a brushy oil painting with a blue tone of a figure with hands around his face and a blur, such as a spirit, leaving his mouth
“Resistance” (2026), oil on canvas, 19 11/16 x 15 3/4 x 1 9/16 inches. Photo by A . Mole

Do stories and artists like this matter to you? Become a Colossal Member now, and support independent arts publishing.

  • Hide advertising
  • Save your favorite articles
  • Get 15% off in the Colossal Shop
  • Receive members-only newsletter
  • Give 1% for art supplies in K-12 classrooms



You Might Also Like

A Poetic Short Film Animates the Counterproductive Forces of Incarceration — Colossal

Dave Krugman’s ‘WINDOWS’ Captures a Multitudinous Portrait of New York City — Colossal

Featured Artist Francesca Busca | Artsy Shark

Patrik Šíma: When Color, Sound, and Poetry Refuse Silence

Featured Artist Francesca Busca | Artsy Shark

Share This Article
Facebook Twitter Email Print
Previous Article 5 Artists on Our Radar in June 2026 5 Artists on Our Radar in June 2026
Next Article Court Tears Up Lawsuit Against Sending Bayeux Tapestry to London Court Tears Up Lawsuit Against Sending Bayeux Tapestry to London
Leave a comment Leave a comment

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

BublikArt GalleryBublikArt Gallery
2024 © BublikArt Gallery. All Rights Reserved.
  • Privacy Policy
  • Security
  • About
  • Collaboration
  • Contact
Welcome Back!

Sign in to your account

Lost your password?