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Reading: Thousands of Strips of Silk Undulate in Kenny Nguyen’s ‘Deconstructed Paintings’ — Colossal
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BublikArt Gallery > Blog > Artists > Thousands of Strips of Silk Undulate in Kenny Nguyen’s ‘Deconstructed Paintings’ — Colossal
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Thousands of Strips of Silk Undulate in Kenny Nguyen’s ‘Deconstructed Paintings’ — Colossal

Irina Runkel
Last updated: 23 April 2026 14:09
Published 23 April 2026
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Silk has been crafted in Vietnam for centuries, where it’s treasured as a lightweight, luxurious fabric used in traditional garments and art. For Kenny Nguyen, who was born in Ben Tre Province and is currently based in Charlotte, North Carolina, the material provides the foundation for vibrant, large-scale wall works that combine elements of weaving and tapestries, garment production, painting, and sculpture.

Using thousands of hand-cut strips of silk, Nguyen draws on his background in fashion design, employing techniques such as pinning, weaving, sewing, and layering to create what he describes as “deconstructed paintings.” Each work is created around a kind of imaginary body, its creases and undulating forms evoking movement and versatility.

“Undercurrent Series No. 10” (2026), hand-cut silk fabric, acrylic paint, and canvas, mounted on wall,
64 x 158 x 8 inches

Even though the works appear fixed, they are actually very malleable. Every time a piece is installed, its undulations are determined by where the pins are placed, and it assumes something of a new version. This complements Nguyen’s approach to silk as a kind of “second skin,” he says, which adapts to its environment, represents memories and heritage, and serves as a metaphor for his personal identity.

Nguyen’s work is currently on view in Textile Art Redefined at Saatchi Gallery. See more on his Instagram.

a detail of a large-scale silk and acrylic installation by Kenny Nguyen featuring thousands of strips of colorful fabric in an a textural, undulating, abstract composition
Detail of “Undercurrent Series No. 10”
a large-scale silk and acrylic installation by Kenny Nguyen featuring thousands of strips of colorful fabric in an a textural, undulating, abstract composition
“Eruption Series No. 86” (2025), hand-cut silk fabric, acrylic paint, and canvas, mounted on wall, 69 x 53 x 8 inches
a detail of a large-scale silk and acrylic installation by Kenny Nguyen featuring thousands of strips of colorful fabric in an a textural, undulating, abstract composition
Detail of “Eruption Series No. 86”
a large-scale silk and acrylic installation by Kenny Nguyen featuring thousands of strips of colorful fabric in an a textural, undulating, abstract composition
“Encounter Series No. 62” (2025), hand-cut silk fabric, acrylic paint, and canvas, mounted on wall, 62 x 115 x 4 inches
a detail of a large-scale silk and acrylic installation by Kenny Nguyen featuring thousands of strips of colorful fabric in an a textural, undulating, abstract composition
Detail of “Encounter Series No. 62”
a large-scale silk and acrylic installation by Kenny Nguyen featuring thousands of strips of colorful fabric in an a textural, undulating, abstract composition
“Undercurrent Series No. 5” (2026), hand-cut silk fabric, acrylic paint, and canvas, mounted on wall, 67 x 112 x 7 inches
a detail of a large-scale silk and acrylic installation by Kenny Nguyen featuring thousands of strips of colorful fabric in an a textural, undulating, abstract composition
Detail of “Undercurrent Series No. 5”
a large-scale silk and acrylic installation by Kenny Nguyen featuring thousands of strips of colorful fabric in an a textural, undulating, abstract composition
Alternate view of “Eruption Series No. 78”
a large-scale silk and acrylic installation by Kenny Nguyen featuring thousands of strips of colorful fabric in an a textural, undulating, abstract composition
Alternate view of “Undercurrent Series No. 10”

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