By using this site, you agree to the Privacy Policy and Terms of Use.
Accept
BublikArt GalleryBublikArt Gallery
  • Current
  • Art News
  • Art Exhibitions
  • Artists
  • Art Collectors
  • Art Events
  • About
  • Collaboration
Search
  • Advertise
© 2022 Foxiz News Network. Ruby Design Company. All Rights Reserved.
Reading: Rediscover a Rembrandt After More than Six Decades in Hiding — Colossal
Share
Notification Show More
Font ResizerAa
BublikArt GalleryBublikArt Gallery
Font ResizerAa
Search
  • Current
  • Art News
  • Art Exhibitions
  • Artists
  • Art Collectors
  • Art Events
  • About
  • Collaboration
  • Advertise
2024 © BublikArt Gallery. All Rights Reserved.
BublikArt Gallery > Blog > Artists > Rediscover a Rembrandt After More than Six Decades in Hiding — Colossal
Artists

Rediscover a Rembrandt After More than Six Decades in Hiding — Colossal

Irina Runkel
Last updated: 4 March 2026 15:55
Published 4 March 2026
Share
3 Min Read
SHARE


In 1898, Amsterdam’s Stedelijk Museum staged an exhibition of paintings by renowned Dutch Golden Age artist Rembrandt (1606-1669). Included in this show was a 23-by-19-inch oil painting titled “Vision of Zacharias in the Temple,” which was completed in 1633, relatively early in the artist’s career. Fast-forward to 1960, and the work was deemed to have not actually been made by Rembrandt. Despite that in the past it had been catalogued as part of his oeuvre, that was no longer the case. So, a private collector purchased it in 1961, from which point on, it remained out of sight—until now.

Experts and conservators at the Rijksmuseum, which was recently granted the opportunity to reassess the painting by its owner, spent two years investigating the pigments, structural materials, Rembrandt’s signature and date, the overall style, and the choice of subject matter. Techniques included X-raying the paint and conducting dendrochronology tests on the wooden panels to get a sense of age.

Macro scans also revealed insights into the artist’s creative and technical choices as he worked. “An important piece of evidence that the painting is by Rembrandt lies in the changes he made during the painting process,” the museum says. “For example, the censer [an incense burner] on the altar was originally larger. Such adjustments are characteristic of an artist who is experimenting and refining his work. A copyist, by contrast, would have reproduced the model exactly, without making alterations.”

The scene depicts the high priest Zacharias at the moment just before the archangel Gabriel arrives to tell him that he and his wife will have a son, John the Baptist. Though dim in photographs, a light in the upper right corner of the canvas indicates Gabriel’s imminent arrival. In this charged moment, Rembrandt uses a narrative device known in Dutch as “staetveranderinge,” which translates to “changes of state.” It’s an element Rembrandt often incorporated in his paintings around this time.

The Rijksmuseum also recently spent five years thoroughly researching and restoring “The Night Watch.” If you’re in Amsterdam, “Vision of Zacharias in the Temple” goes on view today at the Rijksmuseum, where it will remain on long-term loan. Find more on the museum’s website.

A detail of 17th-century oil painting by Rembrandt of a priest looking at a large book in a temple
A detail of 17th-century oil painting by Rembrandt of a priest looking at a large book in a temple
A black-and-white reproduction on a catalogue page of a 17th-century oil painting by Rembrandt of a priest looking at a large book in a temple
A reproduction of “Vision of Zacharias in the Temple” from a 1908 catalogue raisonné

Do stories and artists like this matter to you? Become a Colossal Member now, and support independent arts publishing.

  • Hide advertising
  • Save your favorite articles
  • Get 15% off in the Colossal Shop
  • Receive members-only newsletter
  • Give 1% for art supplies in K-12 classrooms

You Might Also Like

Johan Siggesson’s Striking Portraits of ‘Big Tuskers’ in Kenya — Colossal

Ted Rigoni: Precision Trained, Emotion Driven

The Art Sale is Just the Beginning

Yanming Chen: Between Intention, Balance, and Function

Rendered in Handmade Pigments, Rupy C. Tut’s Warriors March Toward Belonging — Colossal

Share This Article
Facebook Twitter Email Print
Previous Article Can you feel the love tonight? Elton John’s cosy family portrait captured by Catherine Opie – The Art Newspaper Can you feel the love tonight? Elton John’s cosy family portrait captured by Catherine Opie – The Art Newspaper
Next Article Aesthetica Magazine – Collective Empowerment Aesthetica Magazine – Collective Empowerment
Leave a comment Leave a comment

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

BublikArt GalleryBublikArt Gallery
2024 © BublikArt Gallery. All Rights Reserved.
  • Privacy Policy
  • Security
  • About
  • Collaboration
  • Contact
Welcome Back!

Sign in to your account

Lost your password?