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BublikArt Gallery > Blog > Art Collectors > UNESCO Launches First Virtual Museum of Looted Cultural Objects
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UNESCO Launches First Virtual Museum of Looted Cultural Objects

Irina Runkel
Last updated: 1 October 2025 23:07
Published 1 October 2025
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On Monday, UNESCO, the cultural arm of the United Nations, launched the world’s first virtual museum of stolen cultural objects, which lists thousands of artifacts that can be viewed in 3D form.  

The initiative was launched at UNESCO’s World Conference on Cultural Policies and Sustainable Development in Barcelona. The virtual museum was designed by the architect Francis Kéré in collaboration with the International Criminal Police Organization (Interpol). Funding for the project was provided by the Kingdom of Saudi Arabia. 

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UNESCO said in a statement that the museum “was developed in response to the call of [UN] member states for a coordinated strategy to raise awareness on illicit trafficking.” The statement added that “UNESCO’s 1970 Convention calls on signatory states to combat the illicit trade in cultural property—a market that Interpol warns is increasingly dominated by organized criminal networks.” 

The museum is organized by geographic region and divided into sections including “Auditorium,” which explains the aim of the initiative: “To protect the world’s common heritage and fight against the looting and illicit trafficking of cultural property.”

In the “stolen cultural objects gallery,” users can view objects such as a bronze Buddha statue made during China’s Ming Dynasty (1368–1644 CE), and a Syrian gold pendant (120 CE) looted from the Palmyra Museum. The “return and restitution room” provides information on how objects were recovered. Among those objects is a trilobite fossil that was repatriated to Morocco by Chilean customs in 2024. 

Audrey Azoulay, the director general of UNESCO, said in a statement: “Behind every stolen work or fragment lies a piece of history, identity and humanity that has been wrenched from its custodians, rendered inaccessible to research, and now risks falling into oblivion. Our objective with this is to place these works back in the spotlight, and to restore the right of societies to access their heritage, experience it, and recognize themselves in it.” 

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