Tillmans, born in Remscheid, Germany, in 1968, has changed the history of photography. He has taken established genres of art and the photographic medium, from portraiture to still life, landscape, political subjects and abstraction, and relentlessly experimented with the framing, printing and presentation of his images and photographic objects. His subjects include everything from urgent imagery of social events like protests or club nights, formal portraits and experimental cameraless photography.
Wolfgang Tillmans, The Glove That Fits, 2024
© Wolfgang Tillmans, courtesy Maureen Paley, London
From the very start of his now close to four-decade career, Tillmans has shown his works in installations that respond specifically to the intricacies of the spaces in which they are displayed, with the photographs presented in formats that range from postcard size to vast and enveloping prints. The images might abut the corner of a room, be hung high up the walls or unorthodoxly low, or adjacent to bureaucratic elements like fire exit signs. They might be organised in flurries or constellations, or in spare linear arrangements or grids. Through this process, Wolfgang consistently reenergises his archive, juxtaposing images taken years and sometimes decades apart. While photography has remained his primary medium, Wolfgang has steadily expanded his media, with video installation, text and sound and music gaining increasing prominence in his exhibitions.
Wolfgang Tillmans, Easter Passion, 2007
© Wolfgang Tillmans, courtesy Maureen Paley, London
He discusses the early impact on him of seeing the work of Kurt Schwitters, his current interest in the paintings of Francisco de Zurbarán, his long association with the contemporary German artist Isa Genzken, a profound experience at a Laurie Anderson concert in 1986 and the influence of the Indian writer and philosopher, Jiddu Krishnamurti. Plus he gives insight into his life in the studio and answers our usual questions, including the ultimate: what is art for?
- Wolfgang Tillmans: Build From Here, Maureen Paley, London, 3 October–20 December; Ausstellung in Remscheid, Haus Cleff, Remscheid, until 4 January 2026
- 36th Bienal São Paulo: Not every traveler walks the roads – On humanity as a practice, until 11 January 2026; Fictions of Display, MOCA Grand Avenue, Los Angeles, until 4 January 2026
- Könnt ihr noch? – Kunst und Demokratie, Königsklasse, Schloss Herrenchiemsee, Munich, until 12 October 2025
- On View: Begegnungen mit dem Fotografischen, Pinakothek der Moderne, Munich, until 12 October 202
This podcast is sponsored by Bloomberg Connects, the arts and culture platform.
Bloomberg Connects offers access to a vast range of international cultural organisations through a single click, with new guides being added regularly. They include a number of museums that have had major presentations of Wolfgang Tillmans’s work, including the Museum of Modern Art and the Metropolitan Museum of Art in New York, Tate and the Serpentine in London, the National Museum of Art in Osaka, Japan, and the Bienal Sāo Paulo in Brazil, whose 36th edition in 2025 features an installation by Wolfgang. In the guide to the biennial on Bloomberg Connects, you can read about the concept behind the exhibition, which is called Not every traveler walks the roads – On humanity as a practice, and is curated by a team led by the general curator Bonaventure Soh Bejeng Ndikung. You can discover all of the artists in the exhibition—which along with Wolfgang, includes the former guests on this podcast, Lynn Hershman Leeson, Oscar Murillo, Otobong Nkanga and Nari Ward—and see in which of the exhibition’s six chapters they feature.
