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BublikArt Gallery > Blog > Artists > Cheng-Tsung Feng’s “Sailing Castle” Cruises Through 400 Years of Taiwanese History — Colossal
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Cheng-Tsung Feng’s “Sailing Castle” Cruises Through 400 Years of Taiwanese History — Colossal

Irina Runkel
Last updated: 9 September 2025 16:01
Published 9 September 2025
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Through the study of time-honored craft techniques, Taiwanese artist Cheng-Tsung Feng envisions contemporary installations that connect us not only to the past but also to nature and our present surroundings.

Working across sculpture, installation, craft, and design, the artist draws on what he describes as “ancient and gradually forgotten oriental culture,” translating traditional motifs and methods into new works that nod to the continuum of East Asian art and ingenuity. One might even position his practice within the realm of storytelling, tapping into collective cultural memories and overlapping histories.

In his installation “Sailing Castle” in Tainan, Feng evokes the sails of wooden ships as a visual metaphor for the urban landscape, “where clusters of buildings resemble vessels gathered in harbor,” he says. Symbolizing movement, discovery, and societal progress and expansion, he creates a dialogue between architecture and advancement, along with memory and the present moment.

The beams and sails are inspired by a number of actual buildings in Tainan like the Confucius Temple, Fort Zeelandia—built by the Dutch East India Company in the 17th century—and Chihkan Tower, another Dutch outpost also known as Fort Provintia.

Called Formosa in the mid-1600s, Taiwan was under colonial rule by the Dutch, whose trade interests centered predominantly around Chinese silks imported to Europe, where they were prized for their luxury and highly sought after. Situated at the Anping Shipyard historical site, amid the canals of the West Central District, Feng wraps the area’s maritime heritage and four-centuries-long legacy of shipping into “Sailing Castle.”

“The overlapping sails evoke both the gathering of ships along the waterfront and the simultaneous anticipation of departure and the arrival of returning voyagers,” he says.

a pavilion by designer Cheng-Tsung Feng made of wood, iron, and canvas, which loosely resembles ship sails set against a sunset

Using primarily wood and canvas, Feng’s pavilion is a cross between artistic intervention and functional meeting space, complete with small surfaces jutting out of the posts on which visitors can sit. Cruising, as it were, through a green park and illuminated at night, “Sailing Castle” sparks a sense of awe at the same time as it encourages us to slow down for a moment or two of contemplation and rest.

Find more on the artist’s website and Instagram.

a detail of a pavilion by designer Cheng-Tsung Feng made of wood, iron, and canvas, which loosely resembles ship sails
a man sits inside a pavilion made of wood, iron, and canvas, which loosely resembles ship sails
a pavilion by designer Cheng-Tsung Feng made of wood, iron, and canvas, which loosely resembles ship sails illuminated at night
a pavilion by designer Cheng-Tsung Feng made of wood, iron, and canvas, which loosely resembles ship sails set in a park at night
a view looking up from within a pavilion by designer Cheng-Tsung Feng made of wood, iron, and canvas, which loosely resembles ship sails

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