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BublikArt Gallery > Blog > Artists > Terri Froelich: Where Industrial Decay Becomes Poetic Geometry
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Terri Froelich: Where Industrial Decay Becomes Poetic Geometry

Irina Runkel
Last updated: 2 July 2025 13:15
Published 2 July 2025
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Terri Froelich: Where Studio Walls Hold the Tide

The physical location of Froelich’s studio within Sausalito’s Industrial Center Building is more than a logistical detail—it is a crucial element of her practice. Perched beneath the Golden Gate Bridge, surrounded by shipyards and marinas, the building provides a constant influx of visual stimuli. Weathered textures, geometric hulls, and tidal reflections infiltrate her daily life, naturally filtering into her compositions. The proximity to water and industry forms an ambient context, shaping not only what she sees but how she thinks about form, structure, and transformation. The studio is not isolated from her work—it is embedded in its very vocabulary.

This immersion in her surroundings has a direct influence on the motifs that appear in her work. Structures like ropes, nets, or boat hulls are not painted as literal objects but are abstracted into compositional elements that retain a trace of their origins. A looping line might reference a knotted rope, while a broad, curved form might suggest the body of a vessel. These gestures retain the physicality of their sources but are reshaped to serve Froelich’s larger aesthetic goals. They form a lexicon of forms that recur across her canvases, always shifting, always evolving, never quite the same.

Froelich’s past exhibition at Kennedy Contemporary in Newport Beach marked a new chapter in her ongoing exploration. “Color, Shape and Sensibility,” a group show in January 2025, spotlighted the formal qualities that define her practice. Later this year, she will present “Abstract Forms,” a group show offering a deeper dive into compositional strategies and spatial tension. In preparation, Froelich continues to refine her layering techniques, exploring new ways to articulate the collision between rigid geometry and fluid gesture. The daily ritual of walking, photographing, and painting remains intact—a cyclical process that ensures each new piece begins not with a concept, but with a moment observed, transformed, and finally, composed.

This summer, Froelich’s work will also be featured in Beyond Representation, a group exhibition at the Sausalito Center for the Arts running from July 3 through August 9. The show brings together artists who explore abstraction as a vehicle for emotional resonance and conceptual depth. Through diverse approaches to line, color, and form, the exhibition invites viewers to look beyond the literal and engage with works that stir reflection, sensation, and interpretation. Open daily from 11:00am to 5:00pm, Beyond Representation offers a powerful testament to the vitality of non-representational art in contemporary practice.

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